Saturday, March 26, 2011

Ken Burn's Baseball

The Ninth Inning

by Donald Hall


1.  My dog and I drive five miles every
morning to get the newspaper. How
else do I find out, when the Sox trade
Smoky Joe Wood for Elizabeth Bishop?
He needs persistent demonstration
of love and approval. He cocks his
head making earnest pathetic sounds.
Although I praise his nobility
of soul, he is inconsolable
2.  when I lift my hand from his ear to
shift: Even so, after the reading,
the stranger nods, simpers, and offers
to share his poems with me. Dean Gratt
confided, at the annual Death
and Retirement Gala: “Professor
McCormick has not changed: A Volvo
is just a Subaru with tenure.”
Catchers grow old catching, which is strange
3.  because they squat so much. “The barn is
burning, O, the barn is burning on
the hill; the cattle low and blunder
in their stalls; the horses scream and hurl
their burning manes.” Jennifer remains
melancholic. Do you start to feel,
Kurt, as if you’re getting it? I mean
baseball, as in the generations
of old players hanging on, the young
4.  coming up from Triple A the first
of September, sitting on the bench
or pinch-running, ready for winter’s
snow-plowing and cement-mixing, while
older fellows work out in their gyms
or cellars, like George “Shotgun’’ Shuba
who swung a bat against a tethered
ball one thousand times a day, line-drives
underneath his suburban ranchhouse.
5.  By 2028, when K. C.
turned one-hundred, eighty-three percent
of American undergraduates
majored in creative writing, more
folks had MFA’s than VCR’s,
and poetry had passed acrylic
in the GNP. The NEA
offered fellowships for destroying
manuscripts and agreeing: “Never
6.  to publish anything jagged on
the right side of the page, or ever
described as ‘prose poems.’” Guerillas
armed with Word Perfect holed in abstract
redoubts. Chief-of-Staff Vendler mustered
security forces (say: Death Squads)
while she issued comforting reports
nightly on lyric television.
Hideous shepherds sing to their flocks
7.  under howling houses of the dog.
At the Temple Medical Center
in New Haven I wait. My mother
at eighty-six goes through the Upper
and Lower GI again. My mind
jangles, thinking of my sick son in
New York and his sick one-year-old girl.
This afternoon, if the X-rays go
all right, I drive back to New Hampshire.
8.  In New Hampshire, late August, the leaves
turn slowly, like someone working to
order—protesting, outraged—and fall
as they must do. The pond water stays
warm but the campers have departed.
By the railroad goldenrod stiffens;
asters begin a late pennant drive
in front of the barn; pink hollyhocks
wilt and sag like teams out of the race.
9.  No Red Sox tonight, but on Friday
a double-header with the Detroit
Tigers, my terrible old team, worse
than the Red Sox who beat the Yankees
last night while my mother and I watched
—the way we listened, fifty years back—
sprightly ghosts playing in heavy snow
on VHS 30 from Hartford,
and the pitcher stared at the batter

Friday, March 25, 2011

revised poems

Okkervil River Poem

Mr. Sheff, I’ve been thinking about all that you’ve sung about,

The poet who held a book in each hand,
while jumping off a bridge.
That is the way I want to go,
but will my pages be feathered?

You leave me troubled
wanting to mine ore,
sulking in a train’s catbird seat,
 lost at the end of the dairy aisle.

What about the murderers,
mutilating bodies and stuffing them
with frozen yogurt, and I couldn’t help
 but to sing along.

That was a punch in my stomach
that sent the butterflies down there
camouflaging onto the walls my intestines
so I (or the canary) couldn’t find them.

I built a mine shaft in my throat
and sent a mirror, and that canary, down.
They searched and stared, but
only the poem  stared back.  


Have you listened to my iPod?

Have you listened to the troubling stories the river has sung?
Have you heard about the poet who jumped off a bridge with a book in each hand?

Have you heard the secret chord that David played to please the Lord?
Have you left flowers for Hitler?

Have you hymned with bearded foxes?
Have you turned the snow red as strawberries in the summertime?

Have you thrown golden rocks?
Have you dropped out of high school to go join a Balkan band?

Have you always loved short story form and new pornography?
Have you stood on a muscle car with a four foot sword?

Have you played bingo on Friday nights in a drive-in?
Have you been asked by a lesbian to be her beard?


At 2 a.m.

I couldn't find the scissors anywhere.
Blood was drying in my hair.

The front door's lock twitched.
A motorcycle was being strangled in the alley.

That night, I walked, and a car past
and its engine hiccupped.

I’ve been that car, when my ignition twitched
and I shuddered and threw back.  
 
You always forget to breath
and then you jolt up.

I abandoned the covers, switched on the light.
Scribbled
 the scissors are in the basement sink.

Played #2

I’m playing a trumpet on a cliff
diver’s back, falling into the ocean’s
foam that is boiling up and through
the coral that really is just a desert.

I pick up sea weed, and see heroes
that are only reeds, and the trumpet turns
into a saxophone, and my fingers begin
to run beneath my breath.

I begin to blow and my front teeth begin
to loosen, and then they fly off and ramble
down the slope, and clunk in the bottom
before trailing out, as if out of an exhaust pipe.

I feel my tongue starting to slide
against the reed. It snakes through
and my intestines stampede to catch
up and shoot out as confetti.

My bones turn into powder and paint
the sky ash, then my blood sprays pomegranate
ambers to where the sun had set higher
in the trees, swelling into the empty nests. 

Wednesday, March 23, 2011

contest and wants


Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving, and Maintaining Guitar Technique by Troy Nelson (2007)

The Greatest Game Ever Pitched: Juan Marichal, Warren Spahn, and the Pitching Duel of the Century



Baseball in the Garden of Eden: The Secret History of the Early Game 


Actual Air  by David Berman

Lunch Poems by  Frank O’Hara 

Saturday, March 12, 2011

Thursday, March 10, 2011

Carvings

Glasses clinking against one another and deer lingering out of the tree line. These are sounds and sights I think of when I remember North Park village Center. I would pass it every day on my way to high school going down Pulaski. Cemeteries are on both side; Bohemian, one of the oldest in the city on the right, St. Luke’s, where my grandparents rest and Montrose, overlapping on the lap. In the winter, with the trees bare and bled, empty milk jugs left stapled to maples. Pulling into North Park Village, the recycling center is to the left, with its dumpsters in neat rows. They contained green, brown, clear bottles falling over themselves, looking like bubbled collages: Rolling Rock, mineral water and wine bottles mixing; Budweiser bottles covering ear drop medicines; pickle jars and El Jarritos mingling.


“Suzanne, don’t run so fast” said young Jacob, a pale 11 year old, in ill fitting overalls.
“Come on you turtle” responded Suzanne, 12 years old, with blond pigtails and scraped kneecaps.
The two children ran around the open prairie. Canvas tents with coupled cots were to their right and a row of buildings to their left; the dining hall, the school house, the outhouses in between. Suzanne led Jacob to the forest past the last outhouse. It was fall, and leave had started to drop and crisp leaves popped under their shoes.

“What do you want to show me Suzanne?”
“I found this while walking a few days ago.”
“What is it?”
“You’ll see.”

Before Pulaski turns into Crawford, where the city ends, there is forest. During the first years of Chicago, I imagine the area being the dark, mysterious woods people stayed away from. Almost a century later, when tuberculosis ravaged the country, the area was turned into the Municipal Tuberculosis Sanitarium. Before that, it had been privately owned, and the land had been used to cultivate some of the trees that were displayed in the World Fair. The Sanitarium closed in the mid 70s, but many of the buildings still remain today. A large smoke stack looms over the whole facility, and there are underground tunnels beneath the cleat depleted soccer fields there today. I didn’t find this out until I was in high school. As a kid, I had gone there with my father for the free telescopes to use on Astronomy nights. In high school, I would toss all my recyclables into the dumpsters and then volunteer in the nature preserve. We spent hours picking garlic mustard plants and other invasive species. During those long, smelly hours, I got to explore the forests, and noticed the trees had more on them then empty milk jugs.

Suzanne led Jacob to a branch covered knoll. It looked as if the all the trees had shed their branches and the wind had swept to where the knoll dipped.

            “Step carefully, Jacob and be really quiet.”


“Why?”
“Look, see where that big branch is with the empty bird nest? Look to the left and down.”

Through the branches Jacob could see a little clearing under the branches. It looked as if someone, or something had been laying there.

            “What am I looking at?” asked Jacob.
            “Yesterday morning, I saw three baby fawns sleeping there.”
            “Well, where are they now?”
            “They must be somewhere eating.”
            “How did you find this?”
            “It was by accident.”
            “We have to remember this place.”
            “How are we going to remember where this is? Once the snow comes, the trail is going to flood and we won’t find our way back.”
            “What if we leave markers?”
            “What do you mean?”
            “What if we leave markings on the trees, so we know which way to go?”

When I was yanking garlic mustards plants out the ground, sometimes the stench was so strong that I had to take a walk and let my nostrils recover. Once when I was doing this I noticed a little marking on a tree. It was engraved into the bark and it was faded, but from what I could tell it was a curved arrow. It seemed wobbly and outlined over and over against and if it were engraved into with a stone, instead of some sharp metal. At first I thought it was just senseless graffiti, but I happened to be walking later, in the direction of the curved arrow, and found another arrow. It too was wobbly and possibly engraved by stone as well. I followed the second arrow and found another and then another. I finally wound up at the edge of a grassy knoll. The forest dipped slightly. I didn’t know what I was looking at. There was about 5 feet of barren space before the tree line began again. I looked for more trees with arrows engraved upon them, but couldn’t find any.   

“Carve them into the biggest trees, Jacob”
“Okay, okay. How many do we have to do?”
“We’re only half way back to the cabin. Hurry up, it’s almost supper time.”
“All right, already. I’m coming.”

As Jacob stood with a stone in his hand, with Suzanne watching over him, the city’s warning sirens cut the air.

            “Jacob, what’s going on?”
            “I don’t know, Suzanne. Run” 

mind blowers

~A Distant Star: Wieder's eyes being described as outside his body, above, watching scenes play out. Wieder crafting poetry in the clouds. Wieder crimes paralleling the crimes of Pinochet. Wieder leaving the read goose bumped.

~Anagrams: The light fading out of one of Gerard's eyes, Benna believe that life is like a dream about losing things you never had to begin with, or trying to find your glasses when you can't see because you don't have your glasses on; not understanding trick or treating and walking into the persons house for a conversation, I'm feel like I'm right in the mist of things (and forgetting that is gist instead of mist, only to be reminded of it in class)

~Florida plane tickets bought
In my dreams I'm asking Kathy, what is it with missed belt loops? And as she is about to answer, the lights on the train go out.

Sunday, March 6, 2011

Okkervil River Poem

By the second verse, dear friends
my head will burst my life will end
so I’d like to start this one off by saying
live and love

-O.R..   

Mr. Sheff, I’ve been thinking about all that you’ve sung

the murderers,
mutilating bodies and stuffing them
with frozen yogurt, and I couldn’t help
to sing along.

you leave me scared, you leave me troubled
and that’s how it should be

a man held a book
in each hand, while jumping off a bridge
that is the way I want to go
if it becomes too real

the black sheep, men
come from wealth
and have nothing else
except themselves

 the liars
who sing along with the pop songs
us, who drool into the computer screen
and the father who blames himself

they call me Vera
you know who that is
we all become her, but
will I leave you troubled

I will search and stare but
only the poem will stare back.